Yiwarra Kuju: the Canning Stock Route
In late 2006, the Perth-based non-profit cultural organisation FORM initiated Ngurra Kuju Walyja – One...
Aboriginal and Torres Strait Islander Culture & Knowledge Case Studies
Boomalli Aboriginal Artists Co-operative Ltd and Governance issues
Boomalli Aboriginal Artists Co-operative Ltd approached Artists in the Black (AITB) for assistance with governance...
Christine Tschuna – What to do if you don’t get paid – letters of demand
Christine Tschuna is an Wirangu artist with the Ceduna Arts and Cultural Centre. In June...
Tjanpi Desert Weavers and works on consignment
The Tjanpi Desert Weavers are Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara women from eighteen desert communities who...
Ninuku Arts – Selling works on consignment: chasing payment and negotiating a settlement
Ninuku Arts entered into a consignment agreement with an Adelaide gallery for the sale of...
Wandjina – Protecting Cultural Heritage through council planning laws
In 2010, a gallery in the Blue Mountains in NSW erected a large sculpture featuring...
Ilbijerri Theatre Company – copyright ownership and contract
Ilbijerri Theatre Company in Victoria is the longest running Indigenous theatre company in Australia creating...
Gordon Syron – Finding a win/win solution through mediation
Mediation as a sensible alternative to court proceedings....
Gabriel Maralngurra – I want people to know this is my work
Arts Law helps an artist assert his moral right of attribution after 20 years...
The Dion Beasley Trust
Dion Beasley is a talented young Aboriginal artist working in Tennant Creek, Northern Territory. Dion...
Desart – Best practice for art centres: a uniform employment contract for managers
At the request of Desart, AITB undertook to assist in the preparation of standardized contracts...
Boolarng Nangamai Art & Culture Studios – Protecting your name and logo by registering a trade mark
Boolarng Nangamai Art & Culture Studios located on the south coast of New South Wales,...
