Elcho Island Arts Centre – when is an export permit required to exhibit artwork overseas?
For over 18 years, the Elcho Island Arts Centre has been supporting and representing indigenous...
Aboriginal and Torres Strait Islander Culture & Knowledge Case Studies
Jilalga Murray-Ranui: Protecting your rights in a public work commission project
Jilalga Murray-Ranui is an Indigenous visual artist who is passionate about producing digital images, paintings,...
Yiwarra Kuju: the Canning Stock Route
In late 2006, the Perth-based non-profit cultural organisation FORM initiated Ngurra Kuju Walyja – One...
Boomalli Aboriginal Artists Co-operative Ltd and Governance issues
Boomalli Aboriginal Artists Co-operative Ltd approached Artists in the Black (AITB) for assistance with governance...
Christine Tschuna – What to do if you don’t get paid – letters of demand
Christine Tschuna is an Wirangu artist with the Ceduna Arts and Cultural Centre. In June...
Tjanpi Desert Weavers and works on consignment
The Tjanpi Desert Weavers are Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara women from eighteen desert communities who...
Ninuku Arts – Selling works on consignment: chasing payment and negotiating a settlement
Ninuku Arts entered into a consignment agreement with an Adelaide gallery for the sale of...
Wandjina – Protecting Cultural Heritage through council planning laws
In 2010, a gallery in the Blue Mountains in NSW erected a large sculpture featuring...
Ilbijerri Theatre Company – copyright ownership and contract
Ilbijerri Theatre Company in Victoria is the longest running Indigenous theatre company in Australia creating...
Gordon Syron – Finding a win/win solution through mediation
Mediation as a sensible alternative to court proceedings....
Gabriel Maralngurra – I want people to know this is my work
Arts Law helps an artist assert his moral right of attribution after 20 years...
The Dion Beasley Trust
Dion Beasley is a talented young Aboriginal artist working in Tennant Creek, Northern Territory. Dion...
