MEDIA RELEASE: Revive National Cultural Policy Takes Steps to Stamp Out Fake Art
After the Productivity Commission’s 2022 report into inauthentic Aboriginal & Torres Strait Islander art confirmed...
Posts
Reviving Culture and Remaking Policy
“Culture then, is the sum of our stories and our music, of our paintings and...
Easy as 1, 2, 3? Contracts in 10 Questions
Do you have questions about contracts? Arts Law has published a new information sheet explaining...
PRIZE REVIEW: Glover Prize 2023
This month, Arts Law has reviewed the terms and conditions of the Glover Prize 2023 in...
Arts Law Travels to the Central Desert and Coober Pedy
Arts Law recently embarked on outreach trips to the Central Desert with Desart and to...
A Record Run: Arts Law 2022 Art Auction Review
Following on from the record success of last year, Arts Law continued running our annual...
Empowerment Through Education: New Module for Indigenous Fashion Launched
Australia is enjoying an explosion of First Nations fashion. This popularity boom for Aboriginal and...
Machine versus Human: Who Own the Copyright in AI Art?
Who owns the copyright in works created with the help of AI tools like OpenAI’s Jukebox? What about all...
Entering a Foreign Art Prize or Competition?
What you need to know when entering foreign arts prizes and competitions Arts prizes and...
Check your socials: legal issues for artists on social media
Most artists these days use social medias like Instagram and YouTube to promote their work....
Arts Law Helps Create NSW on the New Public Art Toolkit
Create NSW have released their new NSW Public Art Toolkit. The toolkit was developed in...
PRIZE REVIEW: 2023 John Villiers Outback Art Prize
This month, Arts Law reviewed the terms and conditions of the 2023 John Villiers Outback...
